The Dress Circle with Ted Otten and Michael Kownacky

Sundays at 7 pm

With music drawn from their personal and vast music collection, our co-hosts feature the best of Broadway, stage music from around the world, film scores, and the performing arts. 

Teaching has its side effects, and one of those is the need for “calendar art”!  The Dress Circle program this week (11/18 7:00 p.m.) is an off-shoot of that need as we present a Thanksgiving program – of sorts.  In the past, we’ve looked at family, food, and “thanks” as themes, but this time, we wanted to share with you some of the theatergoing events for which we’ve been thankful over the years.  

Our years teaching English have gotten the better of us on this week’s Dress Circle (11/11 7:00 p.m.), and we’ve turned to the world of literature for our theme as we look at Emily Bronte’s 1847 romantic tragedy “Wuthering Heights” through stage and screen adaptations.  Join us for selections from Alfred Newman’s score for the film as well as an aria from Bernard Hermann’s opera.  

… And suddenly, it’s November!  As usual, this week’s Dress Circle (11/4 7:00 p.m.) will celebrate the new month by looking at some of the shows that opened on Broadway in November, and we have quite a hefty list from which to choose.  Some of the shows we’ve chosen, which span over 114 years, include the forgotten Rodgers and Hammerstein musical based on a novella by John Steinbeck entitled “Pipe Dream,” the big Tony Award winner from last year by David Yazbeck, “The Band’s Visit,” and the Elton John / Tim Rice massive stage hit, “The Lion King.”  

Audra McDonald will be featured again on this week’s Dress Circle (10/28 7:00 p.m.) as we take a second look at her career “So Far.”  This time, we’ll be including selections from her performance as Bess in the 2012 revival of “Porgy and Bess.”  We’ll also be sampling songs from several of her solo CDs by the likes of Rodgers and Hart, McHugh and Fields, Kern and Wodehouse, Arlen and Gershwin, and Bernstein and Sondheim to name a few.  It’s a celebration of one of Broadway’s most delightful leading ladies, so join us for a happy hour in the Dress Circle.

The Dress Circle didn’t make it back to school this year, but we’re going remedy that in a way on this week’s program (10/21 7:00 p.m.) as we do what most students do the first few weeks of school, “Let’s Revue.”  We’ve never done a show in our 35 plus years that looks solely at revues, and we thought it was about time.  We’ll begin with one of the granddaddies of all revues, the “Ziegfeld Follies of 1919” with John Steele singing Irving Berlin’s “A Pretty Girl Is Like a Melody,” a song that became synonymous with the “Follies.”  

We never like to do this type of a program, but we felt compelled to remember another wonderful performer whom we lost far too early on this week’s Dress Circle (10/14 7:00 p.m.) as we look back at the career of Marin Mazzie who passed away after a three-year battle with ovarian cancer on September 13 at the age of 57.  For us, we’ll always remember her iconic performance as Mother in “Ragtime” where she stopped the show with her incredibly moving performance of “Back to Before.”   We were also thrilled to see her spirited performance as Lilli Vanessi / Katharine in the 1999 revival of “Kiss Me Kate.”  These two shows alone are testament to her versatility and power.  

Celebrate October on this week’s Dress Circle (10/7 7:00 P.M.) as we showcase our regular  survey of shows that opened on Broadway this month.  The program will feature music from Rodgers’ and Hammerstein’s forgotten gem “Allegro” as part of a varied menu that includes music from Sting’s musical memory “The Last Ship.”  

We lost Neil Simon on August 26th and we wanted to celebrate the life of this brillian playwright who brought joy to theatre audiences around the world for over five decades on this week’s Dress Circle (9/30  7:00).  Simon is probably best known for his plays and comedies like The Brighton Beach Trilogy and “The Odd Couple,” but he’s also a perfect subject for The Dress Circle since he penned several books for musicals.  

We’re happy to be celebrating the career of a very special performer on this week’s Dress Circle (9/23 7:00 p.m.) as we present a program in our “So Far” series dedicated to the work of Audra McDonald.  Join us for selections from some of her stage appearances in musicals like “Carousel,” “Ragtime,” “Marie Christine,” “110 in the Shade,” and “Lady Day at Emerson’s Bar and Grill.”  Her work in television musicals includes “The Sound of Music” and “Annie,” and we’ll also look at some of the studio cast recordings and concert work in “Wonderful Town,” “Allegro,” and “Dreamgirls.”  

There have been many musical dynasties over the years, and we’ll be looking at one of them on this week’s Dress Circle (9/16 7:00 p.m.) when we look at the dynasty that began with Richard Rodgers, continued with his daughter Mary Rodgers, and is currently represented by Mary’s son, Adam Guettel.  From Richard, we’ll hear a medley of many of his familiar songs arranged by Peter Nero.  To represent Mary’s work, we’ll look at her musicals “Once Upon a Mattress” and “The Mad Show” along with a song she contributed to “Working.”  

This week’s Dress Circle (9/9 7:00 p.m.) is celebrating the stage and screen career of Andre Previn who came to the United States at the age of ten to escape Nazi persecution.  His remarkable seven-decade career began in 1948 and has encompassed all manner of musical genre from classical to jazz to Broadway and Hollywood.  

We’re welcoming September with this week’s Dress Circle (9/2  7:00 p.m.) and our monthly program featuring some of the shows that opened on Broadway this month which always offers us a wonderfully eclectic playlist.  The shows we’re featuring include well-known favorites like “Gypsy” and “Fiddler on the Roof” as well as forgotten gems like “The Chocolate Soldier,” “Irma La Douce,” and “Magdalena.”  

We’re continuing with our celebration of Leonard Bernstein on this week’s Dress Circle (8/26  7:00 p.m.) by looking at two of his scores.  One is the “Mass” that he wrote with Stephen Schwartz that opened The Kennedy Center in Washington in 1971 with selections from the original 1971recording as well as the 2004 recording.  Confusing to many, this wonderful celebration is less an actual mass than it is a lesson about finding sanity out of chaos which is so desperately needed today.  

The first part of our centennial celebration of the life and career of Leonard Bernstein is this week’s Dress Circle (8/19 7:00 p.m.).  Although he is probably best known for his work in the classical music realm, we’ll be focusing on his works for the stage, and this first program will look at a variety of his musicals and will feature performances from “On the Town” (1944), “Peter Pan" (1950), “Wonderful Town” (1953), “Candide” (1956), and “West Side Story” (1957).  For this program, we’ll be featuring original cast, revival cast, and studio cast recordings.  

Put on your dancing shoes!  No, Julian Marsh is not doing a show; they’re doin’ choreography on this week’s Dress Circle (8/12 7:00 p.m.)  There was a time when just about every show included a ballet or extended dance scenes, and we’ll be sampling some of them this week.  Some of those dances include the “Sadie Hawkins’ Day Ballet” from “Li’l Abner,” the “Halloween Interlude” Dance from “A Tree Grows in Brooklyn,” the “Twins Ballet” from “The Boys from Syracuse,” and from “Make a Wish,” “The Sale Ballet.”  

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