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A Festival of Nine Lessons and Carols from Trinity Church in Princeton Christmas Morning at 8 am
This broadcast featuring Trinity's 2023 Festival of Nine Lessons and Carols, recorded last December at Princeton University Chapel airs Christmas morning at 8 am.
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1:40:32
What Makes it Great Explores The Music of The Nutcracker on Christmas Day at 6 pm
Host Rob Kapilow pulls back the curtain on Tchaikovsky's lush ballet score for this holiday favorite Christmas Day at 6 pm with an encore broadcast Saturday (12/29) at 2 pm.
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1:31:37
2024 Recap
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1:04:40
Sounds Choral Hosts Share Favorite Works of 2024
Hear some of the music that Sounds Choral's panel of hosts said meant the most to them during the past year this Sunday (12/29 at 2 pm).
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59:42
Liszt the Transcriber
Transcriptions and arrangements by Liszt, this Friday (1/3, with the rebroadcast 1/4)
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58:29
Opera America Chief Looks Back on Five Decades in the Opera World
A Tempo (12/28) features an interview with Opera America President and CEO Marc Scorca, who plans to retire at the end of 2025.
The Sunday Opera: Tchaikovsky's "The Enchantress"
When it comes to operas by Pyotr Tchaikovsky, works like “Eugene Onegin,” “The Queen of Spades,” and even “Mazeppa” may come to mind first. However, on this week’s opera (1/12 3:00 p.m.), we’ll be hearing an 1887 tragedy entitled “The Enchantress” where the heroine is one of those poor people who’s just in the wrong place at the wrong time, and because of the misplaced ire of another woman, is one of several people who dies.
Mason Gross Graduate Composes Hymn Used at Carter Funeral
A Tempo host Rachel Katz speaks with Army Staff Sgt. Andrew Kosinski, a member of the U.S. Army Band, who composed music for the funeral proceedings of former President Jimmy Carter.
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8:18
The Sunday Opera: Andre Previn's "Brief Encounter" and Philip Glass' "La Belle et le Bete"
We’re looking to two “contemporary” operas on this week’s Sunday Opera (1/19 3:00 p.m.) beginning with Andre Previn’s “Brief Encounter” in a production from the Houston Grand Opera and Philip Glass’ interesting adaption of Jean Cocteau’s film “Belle et le Bete” having written an opera that synchs perfectly with the film. Of course, we can’t show you the film, but the opera is quite enjoyable on its own.
The Piano Matters: Jan. 15
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58:30
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