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In a new book, lawyer/journalist Adam Cohen makes the case that the Supreme Court has been "a right-wing court for 50 years," siding with corporations and the wealthy — and against the poor.

Jessye Norman, Jose Carreras and Dietrich Fischer Dieskau star in "The Prodigal Son", and Ileana Cotrubas in "The Blessed Damozel" on The Lyric Stage Sunday (6/18 at 8 pm).

This broadcast Monday (6/2 at 8 pm) features selections from this song cycle, based on the same Chinese poems set by Mahler in his Das Lied von der Erde, sung in their original language, along with works by Bach, Vivaldi and more.

A Tempo Saturday (9/6) features an upcoming concert organized by violinist Princeton University faculty member Anna Lim that will bring the Music for Food program to the region.

This week’s Dress Circle (6/8 7:00 p.m.) is a return to one of our favorite topics, “Involuntary Musical Imagery” otherwise known as stuck song syndrome, sticky music, and cognitive itch, or, as the Germans call them, orhwurm. Of course, their earworms. Those pesky songs that you love to hate. You hear them, and they stay with you for a very long time afterwards.

We’re going where the “neon lights are bright” and “there’s magic in the air” on this week’s Dress Circle (6/29 7:00 p.m.) as we look at songs about Broadway from stage and screen. Even though a great deal of music has been written about being on the stage and theatres, we decided to limit it to only those songs that expressly mention “Broadway” in their titles.

We’re celebrating the career of composer/lyricist William Finn, whom we lost in April, on this week’s Dress Circle (6/22 7:00 p.m.) with thirteen songs from a variety of his often autobiographical musicals.

If you hadn’t noticed, July just happened recently. To welcome it on this week’s Dress Circle (7/6 7:00 p.m.), we’re looking at some of the musicals that have opened in New York this month. We don’t have an exhaustive list, but we were still able to amass a baker’s dozen of songs that span 157 years of musical history.

It’s an afternoon of some “interesting” relationships on this week’s Sunday Opera (6/1 3:00 p.m.) with Ivar Hallstrom’s “Duke Magnus and the Mermaid” and Louis Spohr’s treatment of “Beauty and the Beast” (“Azore et Zamire”).

We’re turning to another opera that’s been forgotten although it was quite popular when it premiered in 1920 on this week’s Sunday Opera (6/15 3:00 p.m.), and as a bonus, it’s written in the Basque idiom. It’s Spanish composer Jesus Guridi’s “Amaya.” Guridi (1886 – 1961) played an important role as a Spanish / Basque composer who wrote operas and zarzuelas as well as orchestral, piano, choral, and organ works.