Music by Anton Rubinstein, Renaldo Hahn, Debussy and Emil von Sauer, plus Vladimir Horowitz in Liszt's transcription of Wagner's Leibestod.

This concert broadcast Monday (3/30) at 8 pm features an eclectic mix of works spanning 200 years.

Sounds Choral this Sunday (3/29 at 2 pm) features a variety of settings of this Latin text.

A wide range of music this Friday (3|27, rebroadcast Saturday 3|28)

The source material for this week’s Sunday Opera (3/29 3:00 p.m.) has been used in well over 70 different projects. In the past, we heard one treatment by Giovanni Simone Mayr in his opera “Ginevra di Scozia,” but this time, we’re turning to one of Handel’s “Italian operas” that he wrote for London in 1735, “Ariodante.” Our recording comes from 1978 and features a stellar cast in this opera that is a tale of love, betrayal, and redemption, and it explores themes of jealousy, deception, and the triumph of good over evil.

Since we're running out of "March," this week's Dress Circle (3/29 7:00 p.m.) is our last one celebrating Women's History Month, and we're turning to Broadway Anthems specifically written for female characters from twelve shows.

Host Rob Kapilow turns his focus to Osvaldo Golijov's The Dreams and Prayers of Isaac the Blind on this broadcast Monday (3/23 at 8 pm).

Our annual anniversary program, this Friday (3/20, rebroadcast Saturday 3/21)

We’re turning to a 19th century opera from the British Isles, and it’s not by Gilbert and Sullivan, on this week’s Sunday Opera (3/22 3:00 p.m.).This time, it’s by Irish composer William Vincent Wallace, and it’s the story of the water Nymph Lurline and her love for the mortal Count Rupert.

We're continuing with our celebration of Women's History Month on this week’s Dress Circle (3/22 7:00 p.m.), and this time, we're looking at some of the female lyricists who added their talents to thirteen musicals.