Upcoming and Noteworthy

What's ahead on The Classical Network? Catch some of these great programs coming your way.

Ancient Babylon is the setting for this week’s Sunday Opera from OperaDelaware (12/2 3:00 p.m.) with Gioachiono Rossini’s last Italian opera, “Semiramide” featuring a libretto by Gaetano Rossi based on Voltaire's tragedy “Semiramis,” which in turn was based on the legend of Semiramis of Assyria.  Nicknamed by some as “’Tancredi’ revisited,” the story deals with the power-struggle of Queen Semiramide who was one of the people responsible for the death of her predecessor.  

Just in time for the holidays, we’ll be spending an afternoon with Edgar Allan Poe on this week’s Sunday  Opera (11/25 3:00 p.m.).  We’ll begin with two versions of Poe’s novella “The Fall of the House of Usher” from the San Francisco Opera.  This supernatural tale deals with the final days of the Usher family after the premature burial of Madeline.  The first version is Gordon Getty’s “Usher House” which will be followed by Claude Debussy’s fragments of “La Chute de la Maison Usher” which were completed by Robert Orledge.  

An opera based on an 18th century Chinese work called the “pinnacle of Chinese fiction” by Bright Sheng and David Henry Hwang is this week’s Sunday Opera (11/18 3:00 p.m.).  “The Dream of the Red Chamber” is a huge work that features some forty main characters and over four-hundred secondary characters.  In this San Francisco Opera version, the focus has been fine-tuned by librettist David Henry Hwang.  

We could all use some levity just now, and there will be an afternoon of it when this week’s Sunday Opera (11/11 3:00 p.m.) features the San Francisco Opera production of Donizetti’s “Don Pasquale” where a poor and rebellious nephew and his beloved teach his conniving uncle a lesson about love and family.  The cast includes Maurizio Muraro in the title role, Lawrence Brownlee is his nephew Ernesto, and Heidi Stober as Ernesto’s beloved Norina.  

On Wednesday, 11/7 at noon we'll hear bass Kodi Meyer in Johannes Brahms' Vier ernste Gesaenge.  Also on the program are Domenico Scarlatti's Sonata in B minor, K 87 and Mozart's String Quartet in C, "Dissonance."  Performances from student recitals at the Curtis Institute of Music, Wednesdays at noon and Monday evenings at 10.

Beaumarchais’ trickster Figaro is the central figure on this week’s Sunday Opera (11/4 3:00 p.m.) in the San Francisco Opera production of Giaochino Rossini’s “The Barber of Seville.”  Luca Meacham is the wily Figaro, Daniela Mack the lovelorn Rosina, and Rene Barbera the fickle Count Almaviva.  Joining them are Alessandro Corbelli as the greedy Doctor Bartolo, Andrea Silvestrelli as Don Basilio, and Catherine Cook, Edward Nelson, and Efrain Solis as Berta, Fiorello, and Ambrogio.  Giuseppe Finzi conducts.  

We begin a series from the San Francisco Opera on this week’s Sunday Opera (10/28 3:00 p.m.) with Umberto Giordano’s love story set during the French Revolution based loosely on the life of its title character, the poet Andrea Chenier.  The production features Yonghoon Lee as Chenier and Anna Pirozzi as his love, Maddalena.  The remainder of the cast includes George Gagnidze, Joel Sorenson, Robert Pomakov, Catherine Cook, Jill Grove, and David Pershall with Nicola Luisotti conducting.  

We’ll be going “down to the sea in ships” on this week’s Sunday Opera (10/21 3:00 p.m.) with an encore production of Jake Heggie’s version of “Moby Dick.”  Jay Hunter Morris leads the cast as Captain Ahab, and he’s joined by Joshua Guerrero as the Greenhorn (Ishmael), Morgan Smith as Starbuck, Musa Ngqungwana as Queequeg, and Jacqueline Ehols as Pip.  The performance features James Conlon leading the Los Angeles Opera Orchestra.  

A trickster and a vengeful husband are featured on this week’s Sunday Opera (10/14 3:00 p.m.) in Giacomo Puccini’s “Gianni Schicchi” from his collection “Il Trittico” and Ruggero Leoncavallo’s “Paglicacci” from Los Angeles Opera On Air.  The afternoon begins with Placido Domingo as the scheming Schicchi who tricks the bickering Donato family out of part of their inheritance by pretending to be their dead relative, Buoso, and writing the will Buoso left unfinished.  Joining Domingo are Andriana Chuchman as Schicchi’s daughter Lauretta, who sings the much loved aria “O mio babbino caro,” her beloved Rinuccio is Arturo Chacon-Cruz, and Meredith Arwady as the imperious Zita.  

For this week’s episode of the ASCAP Deems Taylor Virgil Thomson Award winning program Between the Keys , the Classical Network’s Artist-in-Residence Jed Distler presents a program of piano etudes.

“Yes, I know, we recently did an all-etudes program, I confess,” says Jed. “But the genre is so vast, so diverse and so interesting that one program cannot do it justice. Nor two or three for that matter.”

A recurring theme in opera deals with forbidden love that leads to a tragic ending, and this week’s Sunday Opera (10/7 3:00 P.M.) is a version of that in Vincenzo Bellini’s “Norma” from LA Opera On Air.  Angela Meade stars as the titular Druid princess who falls in love and secretly has children with the Roman proconsul Pollione (Russell Thomas) against the laws set forth by her father, Oroveso (Morris Robinson).  

Sunday (10/7) evening at 11 we'll hear Three Hymn Tunes by Johan Kvandal, the String Quartet No. 14 by Dmitri Shostakovich and Howard Hanson's For the First Time for solo piano.  Music from the past half-century on Half Past.

This week’s episode of the ASCAP Deems Taylor Virgil Thomson Award winning program Between the Keys takes listeners on a global journey of piano music inspired by geographical hotspots, tourist destinations, bustling cities and vast landscapes.

Placido Domingo leads the LA Opera in the title role of Verdi’s “Nabucco” on this week’s Sunday Opera (9/30 3:00 p.m).  Joining Domingo is Liudmyla Monastryska as the treacherous Abigaille.  Rounding out the cast are Mario Chang as Ismaele, Nancy Fabiola Herrera as Fenena, and Liv Redpath as Anna in this tale of treachery and redemption that follows Nabucco through his madness, the seizure of his throne by Abigaille, and Nabucco’s restoration through his newly found faith and Abigaille’s suicide.   James Conlon conducts the LA Opera Chorus and Orchestra.  

Journey to Seville with this week’s Sunday Opera (9/23 3:00 p.m.) and the LA Opera production of George Bizet’s “Carmen” featuring Ana Maria Martinez as the ill-fated title character.  Joining Martinez is Brandon Jovanovich as obsessed Don Jose, and Amanda Woodbury as the faithful Micaela.  Rounding out the quartet is Alexander Vinogradov as the egotistical bullfighter Escamillo.  James Conlon conducts the La Opera Chorus and Orchestra.  

Wednesday, 9-19 at noon on Curtis Calls we'll hear Chopin's Cello Sonata and Joseph Schwantner's Wild Angels of the Open Hills with words by Ursula Le Guin for soprano, flute and harp.  Performances from Curtis Institute student recitals, Wednesdays at noon and Monday evenings at 10.

There have always been operas based on actual events, and this week’s Sunday Opera (9/16 3:00 p.m.) is one of those.  “Bel Canto,” with a score by Jimmy Lopez and libretto by Nilo Cruz, uses the novel of the same name by Ann Patchett which, in turn, uses the 1996 – 1997 Japanese Embassy Crisis in Lima, Peru as its source.  The plot deals with a terrorist takeover of a party at the Embassy, and the relationships that develop during the four ensuing months.  

A 9/11 Tribute on Between the Keys this Tuesday

Sep 11, 2018

This week's edition of the ASCAP Deems Taylor Virgil Thomson Award winning program Between the Keys commemerates the 17th anniversary of the 2001 September 11th attacks with a unique work by The Classical Network's Artist-in-Residence, composer/pianist Jed Distler, his 50 minute "110 for 911," for speaking pianist and electronics. Mr. Distler is both pianist and speaker in this archival recording from its world premier performance on February 16th 2003 at West-Park Presbyterian Church in New York City.

We’re continuing with our second series of operas from the Lyric Opera of Chicago and their production of Richard Wagner’s “Das Rheingold” on this week’s Sunday Opera (9/9 3:00 p.m.).  Sir Andrew Davis conducts the Lyric Opera Chorus and Orchestra to support a cast including Eric Owens as Wotan, Samuel Youn as Alberich, Stefan Margita as Loge, Tanja Ariane Baumgartner as Fricka, Okka von der Damerau as Erda, and as the giants, Fasolt and Fafner, Wilhelm Schwinghammer and Tobias Kehrer.  

Etudes Galore on Between the Keys September 4th

Sep 4, 2018

On Tuesday's edition of the ASCAP Deems Taylor Virgil Thomson Award winning program Between the Keys, The Classical Network's Artist-in-Residence Jed Distler showcases piano etudes that span from the early 19th century up until today.

"The etude genre fascinates me, not just because I have to practice them to keep my hands in shape, but also as a composer. I love to see how composers address specific challeneges of piano technique without constricting their creative urges," says Distler.

Although a story about selfish desire for information and pleasure might sound like it could involve politics, this week’s Sunday Opera (9/2 3:00 p.m.) explores those themes in “Faust” by Charles Gounod from the Lyric Opera of Chicago.  Most people know a bit about the story of the bored Faust selling his soul to the Devil (Mephistopheles) in order to gain unlimited information/knowledge and unbridled hedonism resulting in the death of four innocent people and, depending upon the version, the damnation or salvation of Faust.

The Sunday Opera returns to Chicago this week (8/26 3:00 p.m.) for a bit of fiancée swapping from the minds of Lorenzo Da Ponte and Wolfgang Amadeus Mozart in “Cosi fan tutte, ossia la scuola degli amanti” which translates with care to “Women Are Like That or The School for Lovers” where a pair of soldiers bet that their fincees will be eternally faithful and set into motion a plan to test them by pretending to be amorous Albanians.  

The Lyric Opera of Chicago returns to the Sunday Opera (8/19 3:00 p.m.) with Hector Berlioz’s epic work “Les Troyens” for which he wrote the libretto himself based on Virgil’s retelling of the circumstances surrounding the Trojan War, the “Aeneid.”  Sir Andrew Davis conducts a cast that includes Christine Goerke as Cassandre, Susan Graham as Didon, Brandon Jovanovich as Enee, Lucas Meachem as Chorebe, Christian Van Horn as Narbal, and Okka von der Damerau as Anna.

The age-old story of good being undermined by corrupt forces and the forbidden question comes to us from the Lyric Opera of Chicago on this week’s Sunday Opera (8/12 3:00 p.m.) and their production of “Lohengrin” by Richard Wagner.  Knight of the Grail Lohengrin, son of Parsifal, is sent to Brabant to unify the people and protect the unjustly accused Elsa under the proviso that he does so anonymously and that no one must ever ask his name.  Of course, Elsa asks, and loses both Lohengrin and her life as a result.  

Antonio Vivaldi claimed to have written 94 operas but only about 50 have been identified and only 16 of those are complete. They were influential and popular during his lifetime but to an audience 300 years later the poetry and stories often appear stilted and artificial, almost alien, and in spite of the music they were mostly neglected. But recent revivals have been well received and there is much reward in accepting the operas on their own terms.

We’re staying in England for this week’s Sunday Opera (8/5 3:00 p.m.) and the Opera North production of Giuseppe Verdi’s “Un Ballo in Maschera.”  Without the censors of the 1850s, Antonio Somma’s libretto is set, as it was first intended, in Sweden, where the opera deals with the political machinations surrounding the assassination of King Gustavus III.  The cast includes Rafael Rojas as Gustavus, Adrienn Miksch as Amelia, Philip Rhodes as Count Anckarstroem (Renato), Patricia Bardon as the fortune teller Ulrika, and Tereza Georgyan as Gustavus’ page Oscar.  

This Wednesday (8-1) at noon on Curtis Calls we'll hear Romanze by Richard Strauss, Poeme by Ernest Chausson, and Brahms' Sonata No. 1 for piano & cello.  Performances from student recitals at the Curtis Institute, Wednesdays at nooon and Monday evening at 10.

Join us as we travel to Glasgow for this week’s Sunday Opera (7/29 3:00 p.m.) and the Scottish Opera’s production of “Eugene Onegin.”  Tchaikovsky’s glorious adaptation of Pushkin’s novel features Samuel Dale Johnson as the jaded Onegin, Peter Auty as the doomed Lensky, and Natalya Romaniw as the naïve Tatyana.  Also in the cast are Sioned Gwen Davies as Tatyana’s sister Olga, Alison Kettlewell as their mother Larina, Anne-Marie Owens as their servant Filipyevna, and Graeme Broadbent as Prince Gremin.  Stuart Stratford conducts.  

We’ll journey to the 17th century on this week’s Sunday Opera (7/22 3:00 p.m.) and a production of Claudio Monteverdi’s “The Return of Ulysses” in a joint production of London’s Roundhouse and the Royal Opera.  This tale of Ulysses’ return to Penelope and the defeat of her treacherous suitors after his arduous journey  features Roderick Williams in the title role and Christine Rice as his Penelope, and they’re joined by David Shipley as Antinous, Catherine Carby as Minerva, Samuel Boden as Telemachus, and Susan Buckley as Eurycleia.  

The Classical Network's Artist-in-Residence Jed Distler is attracted to music where opposites attract and merge as one. "Think about the fusion of boldness and beauty, strength and sensitivity, or power and lyricism," says Distler. "These are contradictory elements, yet when they come together, creative sparks can truly fly."

This week's episode of the ASCAP Deems Taylor/Virgil Thomson Award winning Between the Keys is called "The Bold and the Beautiful," and Distler is particularly excited about its playlist.

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